December 13, 2009
Stephen,
About a week ago, I wrote you about the episode of The Tobolowsky Files, telling you how the stories you told had affected me deeply, and made me want to call my mother. I recieved a response from you about it, and an hour or two later, made that call. I ended up taking the family up to visit her for Thanksgiving, and had a wonderful time, despite my mother’s terrible cooking. I don’t know why, but I thought you’d want to know that I did indeed act on your advice.
I have been an avid listener of The Tobolowsky Files since the very first episode. From the beginning I found myself wondering why I felt such a connection to the stories you tell, and, after the most recent episode (The Middle Chapters) I finally began to piece together exactly what that connection is.
The first part of the equation is the voice in which the tales are told. It is a style I enjoy listening to, and often employ myself in my writing. I have been told I am somewhat long-winded (so I apologize in advance for the length of this email) and I tend to make many digressions in my prose, sometimes with the result that, after writing something out, I will discover that I have told an entirely different, yet related story purely in parenthetical phrases, and that this secondary story is nearly as long as the main narrative. This is something I do not only when writing, but when speaking as well, and it drives my wife nuts.
The second reason I feel such an affinity for your stories has to do with a theory I developed a while ago, which is incredibly over-simplified, and probably complete nonsense. Nevertheless, it runs somehting like this: there are two different types of people, and they can be seperated by the type of hardship they face in their lives. There are those who are defined by tragedy, and those who identify themselves more by the misfortunes that have befallen them (okay, that seems like a pretty bleak view of the world, and I realize that it is incomplete, and that there is some overlap. It is not a perfect theory by far, but bear with me, I think I have a point coming up somewhere).
First of all, let me define my terms. When I say “tragedy” what I really mean is something fundemental to human experience, some event that is terrible, and heartwrenching, but is straightforward enough that most people will, at least on a superficial level, be able to relate to it, and that most people will be able to understand, in broad strokes at least, after just a few words. “Misfortune” however, is a word I use to encompass all those details, and those events that are unique and slightly weird which we all experience, but many of us don’t want to ever talk about. They are often the stuff of comedy and farce, and if they can’t be used to tell a funny story, they are discarded by most people. Misfortunate events are often difficult to describe in one sentence, and are unique to a certain person in a certain time and place. Tales of misfortune are detail-oriented and often take more than a few words to tell. They often involve some feeling of awkwardness and a source of conflict that is not easily described, and is almost always completely out of the person’s control, even though that person ultimately has to take responsibility. In other words, they take some explaining.
I am constantly trying to explain myself, usually to people with confused or disbelieving expressions. Nothing seems to ever happen to me that can be stated simply- every event in my life, at least to my mind, seemes connected to a long string of complex and unlikely preceding events, and any time I try to tell anyone about anything that has happened to me, it makes absolutely no sense except in the context of those previous events. It’s a matter of perspective sometimes, I suppose- like the difference between trying to explain the plot of Shakespeare’s “Hamlet” versus Tom Stoppard’s “Rozencrantz and Guildenstern are Dead” . Maybe I’m too often a bit player in the performance of my own life? It probably doesn’t help that I am a decidedly strange person, and that my thought processes often seem to run at some weird tangent to the way most people’s do. This constant explaining has lead to intense feelings of awkwardness and exasperation, and I often become flustered and anxious at the prospect of answering simple questions- filling out forms is particularly difficult, as there is invariably some list of multiple-choice type options, none of which seem to apply to me, and never enough space to write out the complete answer to any of the questions.
From your stories I surmise that you have a similar relationship with perspective- your stories often contain some huge concept, much larger than yourself, and seemingly unrelated, that somehow, by the end, fits in perfectly with your own personal story. So that what could have been just another clever anecdote becomes a facet of some universal theme, and a sentiment that may have seemed trite and cliche is suddenly personal and profound when seen from the perspective of your experience.
Oh, and some of them are just quirky and interesting and fun. Not everything has to have some deeper meaning.
All of this, in a very long-winded, convoluted way, explains why your stories interest and touch me so deeply. None of them are simple, none of them can be purely defined as tragedy or comedy or instruction or entertainment, all of these elements are present in each. They are honest stories, raw and unabashed. You inspire me each week, by affirming my belief that nothing is ever as simple as it seems, and by displaying a courage I can rarely muster by facing each of these strange, awkward situations you’ve found yourself in. By finding, it seems, a contented, relaxed attitude toward life and some degree of success while doing something you obviously love. Its more than I have yet been able to accomplish, what with the anxiety and awkwardness and the constant explaining.
And this, I think, is why I feel such a connection to your stories- each one is a long and winding road, with many complex detours and switch-back turns. The scenery is abstract and alien, the pace erratic, but the guide is comforting, familiar, and confident that the eventual destination will make the whole journey make sense. It’s sort of holistic, sort of Zen, and wholly entertaining.
Thanks for enduring my ramblings, and for all the stories